WINNERS ANNOUNCEMENT

Nautical Club Ohrid

WINNERS ANNOUNCEMENT

Nautical Club Ohrid

04.11.2024 – Competition Results

With a vision to breathe new life into the unused “Youth Union Summer Retreat” building in Ohrid, the competition invited participants to propose adaptive-reuse designs that could revive this iconic piece of modern heritage. Inspired by Boris Chipan’s original program, the contest sought innovative ideas to transform the building into a vibrant Nautical & Social Club that could serve both the local community and seasonal tourists. Designers were encouraged to consider not only the preservation of the structure but also the creation of an inclusive, multifaceted space, fostering a connection between the site, the community and the natural lakefront.

The awarded proposals were celebrated for their thoughtful and minimal interventions, which highlighted the existing qualities of the building and the landscape. The jury praised the projects’ sensitivity and restraint, as well as their success in aligning new elements with the site’s heritage. Some proposals skillfully honored Chipan’s modernist architecture while introducing dynamic design elements that encouraged social interaction. Through simple yet impactful extensions, modular ordering and transparent materials, these projects fostered a harmonious relationship between past and present. By integrating flexible, inclusive spaces, the winning designs transformed the retreat into a vibrant social hub, ensuring that the legacy of Ohrid’s architectural heritage endures in harmony with its natural surroundings.

TerraViva congratulates all participants of the Nautical Club Ohrid competition for submitting visionary architectural proposals that skilfully blended heritage preservation with contemporary innovation.

1st PRIZE

Diving into Chipan’s Bath of Modernity
Pablo Lopez, Etienne Gary [France]

The aim of the project is to revive Chipan’s building by stripping it of the parasitic additions that have accumulated over the years and weakened its original intent. At the same time, we propose to enhance and expand the program to create a true aquatic center at the heart of the Daljan district, accessible to both tourists and locals year-round. The program is simple and minimal to avoid distorting the site by altering its scale.

The main challenge lies in densifying the site in a coherent manner while preserving the independence and legibility of the historic Chipan’s building, which will be restored and enhanced. The extension is thus designed in harmony with the architectural principles of the existing structure, capitalizing on its versatility made possible by its constructive system.

Although physically separated at ground level, the two buildings are connected by a slab at the first level, giving the illusion of two distinct volumes while maintaining a subtle connection. The underside of the slab creates a shaded reception area on the ground floor, emphasizing the separation while ensuring functional continuity.

The landscape design and the extension’s placement respect regulatory lines based on the alignments and openings of the original building. Chipan deliberately shifted the building’s axis away from the lake, allowing it to be viewed from two sides of the structure. The extension aligns with the axes defined by Chipan, forming an L-shaped composition with the existing building, preserving sightlines while creating a new central focus around the outdoor pool, the focal point of the project. This L-shape is oriented on a larger landscape scale towards the historic city of Ohrid.

A second axis clears a broad pathway that connects the city to the lake, passing through the complex. A landscaped parking area is concealed within the vegetated strip that separates the city from the lake. Trees are also planted around the project to provide privacy and shade to the rear garden of the pool, shielding the space from prying eyes.

The extension houses the facilities linked to the outdoor pool: changing rooms, showers, and restrooms on the ground floor, as well as a solarium on the upper level, overlooking the pool and garden. Thanks to the open plan of Chipan’s building, the interior spaces can be easily reconfigured. The ground floor now hosts the reception for the aquatic center, while a café occupies the entire upper floor. The rear wall is partially demolished to connect the extension and give the café an outdoor terrace above the entrance. A new staircase, located at the far end of the extension, echoes the existing one and creates an elevated pathway.

“The jury appreciated the project’s intention to minimize interventions on the site and the lakefront, emphasizing a very sensitive approach that highlights the existing qualities of the place. There is only a single spatial extension, designed to harmonize with the restored main building as well as with the site itself. This decision is strong enough to generate the main strategy of the project which consists of relating the old and the new volume with one another and with the site itself. The presentation boards are visually attuned to the project, featuring appealing conceptual drawings.”

2nd PRIZE

OH(G)RID
Leanid Pylila, Vitalii Borisov, Bohdan Berezovskyi, Oleg Kovalyuk [Czech Republic]

The reconstruction project on the shore of one of Europe’s oldest lakes aims to preserve and build upon the legacy of the renowned architect Boris Chipan, while integrating modern design principles within the city’s historical context. Chipan’s core philosophy—respect for cultural heritage and the environment—will form the foundation of this project.

At the heart of the concept is “rethought modernism,” which builds on the modular grid of the existing structure. This approach ensures harmony with the surrounding environment and the scale of the development. Lightweight metal structures create soft boundaries in the landscape, blending the new elements with the greenery. The new structures are subordinated to the unified grid, which highlights the significance of the main club building and introduces new perspectives in design through the use of modules. Each module acts as a bridge between the old and the new, integrating the complex into its environment while preserving its historical legacy. Importantly, the modular system offers flexibility in space usage: modules can be easily added, removed, or reconfigured to meet various needs. This adaptability ensures the space can evolve over time, supporting diverse activities and fostering community engagement.

The creation of a new promenade along the lake strengthens both the functional and emotional connection to the water. The delicate shaping of volumes from rough materials softens the rigid lines of the beach, creating cozy spaces for relaxation. Covered modules offer high variability in public spaces, seamlessly flowing into one another. With no strict boundaries, these spaces encourage interaction between different zones.

The materials used in the project reference Chipan’s works, initiating a dialogue between past and present. This concept not only preserves and revitalizes architectural heritage but also adapts it to modern needs, creating a space where the old and new coexist harmoniously.

“Sensitivity and creativeness combine in this enticing scheme. Connecting practically and spatially through modular ordering system is smart and enhances the relationship between new and old. Consideration of the context and simple and clear graphic communication.”

3rd PRIZE

Ohrid Reframed
Hieu Phung, Zhaoxiong Han, Jiawei Ji, Zhijin Shen [China]

On the southern shores of Lake Ohrid, Boris Chipan’s iconic white cube introduced modernism to the city, providing a backdrop for children’s summer camps. Nearly 70 years later, Ohrid Reframed seeks to honor Chipan’s modernist legacy while evolving the architectural language to foster a dialogue between modernism and contemporary design. Our approach merges history with innovation, creating a space that harmonizes modernism’s influence with a fresh, dynamic vision.

Challenging the Boundaries of Modernism
Modernism, often described as a ‘machine for living,’ optimized spaces for specific functions, creating predictable and efficient environments. However, these designs frequently imposed rigid boundaries. In Ohrid Reframed, we challenge this by extending the role of architecture beyond functional confines. Rather than merely containing activities, the building becomes a catalyst for spontaneous social encounters and interactions. Our design embraces fluid, open spaces that invite exploration and possibility, breaking away from static, predefined forms.

Design Toward an Ambiguous Boundary
At the heart of Ohrid Reframed is the dissolution of the rigid geometries typical of modernism. Rather than relying on closed, box-like structures that strictly define inside and outside, we introduce flowing, linear forms that suggest boundaries without enforcing them. The preserved second floor stands as a monument to Chipan’s modernism, while the formerly solid first floor is broken by dynamic, linear elements that engage with the existing rigid structure. This fluid architectural order transforms the walls from barriers into flexible components that encourage openness.

Landscape Emerges from the Building
In Ohrid Reframed, architecture seamlessly merges with the landscape. Linear forms extend outward, dissolving the building’s boundaries and blending it into the surrounding environment. These lines flow into the site, creating quadrants where outdoor activities naturally unfold. The design integrates existing trees and stretches toward the city, connecting urban life with Ohrid’s natural shoreline. This interaction between building and nature generates a continuous, vibrant space that reflects the dynamic relationship between the built and natural environments.

A Dynamic Social Hub
At its core, Ohrid Reframed reimagines the site as a dynamic social hub for locals and visitors alike. The fluid architectural language fosters inclusivity by offering flexible spaces for leisure, recreation, and social gatherings. From water sports to community events and public performances, the design encourages spontaneous interaction and connection. Open areas host pop-up markets, exhibitions, and performances, revitalizing the lakefront and reconnecting it with the city. By enhancing accessibility and flexibility, Ohrid Reframed transforms the site into a vibrant gathering point and a catalyst for urban renewal.

“Ohrid Reframed breathes new life into Boris Chipan’s modernist white cube, honoring its legacy while introducing contemporary design elements that promote social engagement. This project reimagines the site as a fluid, open environment, challenging the functional boundaries of traditional modernism by fostering spontaneous interaction. Instead of rigid geometries, dynamic linear forms blur indoor-outdoor boundaries, extending the architecture into the landscape and creating spaces that harmonize with Lake Ohrid’s natural surroundings. By embracing flexibility and inclusivity, the project evolves the site into a vibrant social hub, integrating community activities, public gatherings, and urban renewal.”

Golden mentions

(ordered by registration code)

Ohrid’s Nautical Association Club
Gustavo Ferreira, Raycke Martos, Thayse Formigari [Brazil]

The project is based on a reinterpretation of Boris Chipan’s original intentions, preserving the values ​​that shaped his work. The proposal is based on a careful reading of the pre-existence and context, respecting the modulation and axes established by the main building, while adapting to the new programmatic demands and the symbiotic relationship with the landscape.

The simplicity of the volumes and the clarity of the architectural gestures result in a composition that, although discreet, deeply dialogues with time, place and people. We also brought a touch of the essence of Brazilian architecture, which is revealed in the fluidity between the natural and the built, and in the harmonious search between tradition and innovation.

The building that houses the restaurant was restored to preserve its functional and aesthetic essence, while adapting to new needs. The gastronomic space was reinvented with new flows, accesses and a balcony facing the pool, whose water mirror merges with the horizon line with the adjacent lake. The infinity edge of the pool and the decks over the water create an experience of contemplation integrated with nature.

The adjacent building was integrated into the restaurant and houses additional functions such as restrooms, a pantry, a storage room and changing rooms. This dialogue between the main and secondary buildings follows a logic of composition that prioritizes functional hierarchy and preserves the original architectural concept of the project.

On the second floor, the games room was designed to accommodate recreational activities throughout the year, offering a flexible space for events and leisure. The multi-sports court was also designed for continuous use, providing a versatile environment for practicing different sports, ensuring that the club operates in an active and diverse manner in all seasons.

The reception, strategically positioned at the entrance to the lot, organizes the circulation of users and integrates the gym, focusing on activities related to canoeing, rowing and water sports. In addition, the restrooms, changing rooms and lockers guarantee the necessary support for both gym users and those who wish to use the other club facilities, offering practicality and convenience in a space for collective use.

The modification of the waterfront was designed to integrate nature into the built space, allowing the lake to symbolically advance over the land. The piers, which extend towards the water, create a fluid connection between the project and the waterfront path, while the semi-Olympic lane reinforces the sporting character. The nautical storage, accessible from the side street, facilitates access to water activities via the pier.

The landscaping aims to harmonize the external areas, promoting fluidity between the spaces. The external area and the playground offer versatility, accommodating social events, rest and recreational activities for all ages, promoting coexistence and leisure in an inviting and dynamic environment.

The integration of the project with the waterfront path reinforces the link between the natural landscape and the club. The deck that extends to the lakeshore invites visitors to explore the surroundings in a fluid and open way, connecting different areas of the project.

Hanging is the new floating
Oliver Dalcheski [North Macedonia]

The Youth Union Summer Retreat embodies a rich modernist heritage, standing proudly on the outskirts of Ohrid. Its distinctive modernist features place it among the most valuable architectural landmarks in the region. Protecting and restoring such a significant structure is a multifaceted responsibility, demanding sensitivity to context, style, materials, and form during its reuse.

The building’s central position within the plot enhances its architectural presence and serves as a main point for the new design intervention, which aims to maintain the building’s prominence. The diverse program intended to engage various visitor profiles necessitates spatial expansion beyond the existing structure, resulting in a dynamic layout that extends across the entire site. Its proximity to Ohrid Lake further facilitates a connection to water, enhancing the space’s overall vibrancy in a horizontal arrangement.

The existing two-level building is retained and complemented with an open rooftop. The main program, featuring a nautical club, occupies the largest area, while additional amenities include an outdoor cinema, gym, restaurant, bar, and a social park with vertical spaces for interaction.

The new design introduces a distinct stylistic contrast, intentionally separating the old from the new without attempting to replicate past achievements. The structure employs modular cubes made of thin steel profiles, ensuring transparency and unobstructed views for visitors. This vertical element offers new perspectives of both the surrounding context and the modernist building itself. Transparent glass screens adorn this section, capable of transforming the façade into a vibrant canvas for cinema or illumination.

These modular elements allow for flexible group arrangements and serve as a foundation for the new design. The prominent vertical structure complements the existing annex building on its rooftop, forming a living wall of two layers that guides visitors through newly designed stairs and platforms. A horizontal bridge seamlessly goes through the wall, extending toward the lake.

Most of the new construction’s structural integrity relies on the existing building’s volume, creating interdependence between the two. Stabilized by cables, this design emphasizes a suspended aesthetic. Notably, the intervention minimally alters the ground condition, leaving no footprint on the site.

Preserving Architectural Integrity

The museum is housed within the historical port structures that played a pivotal role during and after World War II. By retaining the original architecture, the museum honors the past while keeping the spirit of the port alive. The rugged, industrial feel of the building is maintained, allowing it to stand as a monument to Le Havre’s resilience and adaptability.

– Minimal Modifications: The existing port structures are preserved with minimal changes, highlighting their historical significance and maintaining their connection to the city’s industrial roots. This approach allows the building itself to become a central exhibit, reflecting the stories of those who built and worked in the port.

– Cultural Landmark: The preserved architecture serves as a cultural landmark for Le Havre, symbolizing the city’s wartime history and its rebirth. This respectful integration of old and new provides visitors with a tangible link to the past, enhancing the museum’s narrative.

Experiential Journey Through History

The museum offers an immersive experience that brings Le Havre’s history to life. Visitors can explore interactive exhibits that highlight the city’s role during World War II, its industrial development, and the everyday lives of its people.
– Interactive Displays: Exhibits include digital reconstructions, historical artifacts, and personal stories that transport visitors back in time. Through interactive technology, the museum allows visitors to engage with the past in a way that is both educational and emotionally resonant.

– Projection Mapping: The museum’s façade serves as a projection screen, showcasing historical footage and visual storytelling that blends seamlessly with the industrial setting. This use of projection mapping turns the building into a living canvas, merging the physical and historical landscapes of the city.

Bridges to the Port City: The Ship Ride

A highlight of the museum experience is the ship ride that encircles the port, offering a unique view of both the museum and the active harbor. This ride provides a direct connection between the exhibits and the living, working port city of today.
– Floating Restaurant: Onboard the ship, a floating restaurant offers guests a chance to dine with a view, surrounded by the sights and sounds of the port. This setting connects visitors to the maritime heritage of Le Havre, enhancing the overall experience.

– Docking Experience: The ride offers an immersive view of ships docking, reflecting the ongoing life of the port. This real-time interaction with the harbor creates a sensory connection to Le Havre’s industrial pulse.

Celebrating Cultural Heritage

The Port Museum of Le Havre emphasizes the importance of cultural heritage, celebrating the city’s journey from a war-ravaged port to a thriving industrial center. The museum not only preserves the physical structures but also the stories of the people who shaped the city.

– Educational Impact: The museum serves as a cultural and educational hub, fostering an appreciation for Le Havre’s history. It stands as a tribute to the city’s resilience, providing a space where past and present intersect.

Lakeside Renaissance
Simona Chingoska [North Macedonia]

The project aims to transform an existing building into a vibrant nautical and cultural center, drawing its inspiration from the picturesque lakeview. This initiative represents a blend of preservation and innovation, breathing new life into the building while honoring its historical essence. The name “Lakeside Renaissance” perfectly encapsulates this vision, suggesting a rebirth that emphasize the transformability of the modern heritage which ensures that the building can evolve over time to meet the changing needs of its users.

The design concept, developed after a comprehensive analysis of the project site and its surroundings, features three key interventions aiming to transform the project site into a hub for both cultural enrichment and recreational activities. The first intervention aims to revitalize the existing building. The second involves adding a canopy pavilion that offers breathtaking views of the natural landscape. Lastly, the third intervention introduces a meandering wooden pathway, seamlessly connecting the existing building, the new canopy pavilion and the lake.

The proposal respects the original building’s structure while introducing contemporary elements to enhance its functionality. Large windows and open spaces are integral to the plan, ensuring that visitors can constantly enjoy the stunning views, fostering a connection with the natural environment. The revitalization of the existing building includes the addition of a new central staircase with amphitheatrical seating facing the lake, significantly enhancing the connection between the first and second floors. This intervention serves as a dynamic focal point within the building, creating a natural flow between levels and in the same time provides a versatile space for informal gatherings, lectures, and performances, fostering a sense of community and interaction. Moreover, this redesign transforms one half the second floor into a multifunctional space that can adapt to various needs, whether it’s hosting cultural events, workshops, or community meetings and the other half accommodates indoor gym with breathtaking views of the surrounding lake and nature.

A standout feature of this project is the addition of a canopy pavilion, strategically positioned to offer breathtaking views of the surrounding nature and to improve the lakeside pedestrian access to the site. This pavilion will serve as a versatile space for events and relaxation, allowing visitors to immerse themselves in the scenic beauty of the lake and its environment. The stainless steel reflective roof should harmonize with the surrounding nature and neutralize its presence during the day while simultaneously drawing attention at twilight.

Lastly, the third intervention features a new wooden meandering pathway that gracefully weaves through the site, creating a seamless connection between the existing building, its lush natural surroundings, and the newly added canopy pavilion. This pathway is designed to enhance the visitor experience, offering a scenic and leisurely route that encourages exploration and contemplation. As visitors stroll along the pathway, they can enjoy uninterrupted views of the lake, observe the local flora and fauna, and feel a deeper connection to the tranquil beauty of the area. This addition fosters a sense of unity and harmony within the revitalized space.

A Screen for Modernism
Alina Maniukhina, Anastasiia Kutsak [United Kingdom – Russia]

The main line of interrogation underpinning our design process was the configuration of a continuity of the strong modernist language employed by Chipan for the original form, without infringing upon its innate qualities. Our approach aims to emphasise and celebrate the modernist features of the extant building. From this point we sought to elevate the scheme by further developing a key feature of the masterplan; its adjacency to the waterfront – and in service of this created a system of viewpoints bolstering this relationship. Since we enjoyed the oblique orientation of the Youth Union building with respect to the lake, the main body of our intervention lies in long structure that acts a screen for the existing form. This large water facing façade becomes a background for the modernist building allowing it to unfold in front of it. We also introduced a glazed hall that overlays the former open dining room, with the terrace continuing to overlook the lake as originally intended.

Paying homage to Chipan’s original design, the modular grid he employed is reflected in the interior through the patterning of the floor finish throughout the building. This is in service of emphasising the nature of modernist architecture, as the architecture of drawing. Upon entering, a hallway leads you in three directions: straight ahead to the lift, the staff areas & changing rooms to the right, and inside the original modernist structure, the salon to the left. The latter takes place of the former kitchen, working as a social space and hosting a small canteen, and as you progress through it, you reach the common room. Located in the airy, glazed hall, this is a flexible space providing a spacious setting for lectures & masterclasses, that opens out to the terrace when free. Going up to the first floor through the preserved open staircase, you arrive at the seating area of the restaurant.

We placed a particular focus on housing the core social functions of the scheme inside of the Youth Union building; encouraging engagement with and within the modernist form. To this end The Screen provides essential programmatic support, and connection central to the scheme. On its first floor it houses the restaurant kitchen, and two fitness rooms overlooking the waterfront. The hotel rooms on the second floor also benefit from the beautiful view out to the lake.

The masterplan has been split into several zones: by the main entrance is a children’s playground, a recreational beach area makes use of the waterfront adjacency, and a private enclosure created between the central composition & the westernmost boatshed houses a swimming pool. The pedestrian zones run into the heart and through the periphery of the scheme, flowing to the waterfront via several routes. Betwixt this composition lie the greenspaces, culminating in a buffer zone at the north-west of the site.

We believe these careful interventions celebrate Chipan’s modernist language, and give it a succinct role to play in the rejuvenation of the site at large.  

Ohrid Nautical Club
Leonardo Tonon, Victor Minghini [Brazil]

The main line of interrogation underpinning our design process was the configuration of a continuity of the strong modernist language employed by Chipan for the original form, without infringing upon its innate qualities. Our approach aims to emphasise and celebrate the modernist features of the extant building. From this point we sought to elevate the scheme by further developing a key feature of the masterplan; its adjacency to the waterfront – and in service of this created a system of viewpoints bolstering this relationship. Since we enjoyed the oblique orientation of the Youth Union building with respect to the lake, the main body of our intervention lies in long structure that acts a screen for the existing form. This large water facing façade becomes a background for the modernist building allowing it to unfold in front of it. We also introduced a glazed hall that overlays the former open dining room, with the terrace continuing to overlook the lake as originally intended.

Paying homage to Chipan’s original design, the modular grid he employed is reflected in the interior through the patterning of the floor finish throughout the building. This is in service of emphasising the nature of modernist architecture, as the architecture of drawing. Upon entering, a hallway leads you in three directions: straight ahead to the lift, the staff areas & changing rooms to the right, and inside the original modernist structure, the salon to the left. The latter takes place of the former kitchen, working as a social space and hosting a small canteen, and as you progress through it, you reach the common room. Located in the airy, glazed hall, this is a flexible space providing a spacious setting for lectures & masterclasses, that opens out to the terrace when free. Going up to the first floor through the preserved open staircase, you arrive at the seating area of the restaurant.

We placed a particular focus on housing the core social functions of the scheme inside of the Youth Union building; encouraging engagement with and within the modernist form. To this end The Screen provides essential programmatic support, and connection central to the scheme. On its first floor it houses the restaurant kitchen, and two fitness rooms overlooking the waterfront. The hotel rooms on the second floor also benefit from the beautiful view out to the lake.

The masterplan has been split into several zones: by the main entrance is a children’s playground, a recreational beach area makes use of the waterfront adjacency, and a private enclosure created between the central composition & the westernmost boatshed houses a swimming pool. The pedestrian zones run into the heart and through the periphery of the scheme, flowing to the waterfront via several routes. Betwixt this composition lie the greenspaces, culminating in a buffer zone at the north-west of the site.

We believe these careful interventions celebrate Chipan’s modernist language, and give it a succinct role to play in the rejuvenation of the site at large.

Охрид Assemblage
Phúc Huân Lê, Till Mirkes [Vietnam]

Perched along the serene shores of Lake Ohrid, the Охрид Assemblage seeks to breathe new life into a piece of forgotten Modern heritage. The Youth Union Summer Retreat designed by Boris Chipan is carefully restored, with its character enhanced. Its defining features are preserved while spatial interventions enrich its form and function. These selected additions respect the building’s historic identity, creating a space where the past and present can coexist harmoniously.

The original structure has been meticulously examined to maintain its architectural integrity. Key elements such as the load-bearing natural stone walls and the blue painted columns are preserved, ensuring that the building retains its connection to the era of its creation. New enhancements, both subtle and functional, bring fresh life into this whole space, allowing it to serve contemporary needs while celebrating its history.

Adjacent to the restored building, the extension of the existing outbuilding complements the site’s broader purpose by providing facilities for water-based activities. It strengthens the overall program, meeting the needs of both residents and tourists while balancing the cultural and recreational aspects of the project.

A curved addition rises from the landscape, organically drawing visitors toward the lake. The flowing lines of this new structure echo the natural curves of the water and surrounding hills, creating a visual and physical connection between the architecture and its environment. Within this contemporary development, an exhibition space delves into the lake’s history and ecology, offering visitors insights that deepen their experience of the place. As they move through the space, they gradually descend into an underground area designed to evoke the sensation of being submerged beneath the lake. These spaces, carved into the earth, allow for a unique immersion in the atmosphere of the water, blending architecture with nature in a way that feels both intimate and expansive.

This immersive design does more than provide a cultural experience; it helps to revitalize Daljan by attracting locals and tourists alike. The interplay between intellectual engagement in the exhibition space and the physical experience of the lake creates a destination that goes beyond mere recreation. It invites visitors to explore, reflect, and connect deeply with their surroundings, strengthening the identity of the area.

The entire complex forms a unified whole—three distinct yet interconnected elements that work together to create a multifunctional space. The restored Modern architecture preserves the site’s heritage, the utility-focused structure caters to recreational needs, and the new addition offers cultural and sensory experiences. Together, they create a dynamic place where people can gather, unwind, and engage with the deep-rooted history and natural beauty of Lake Ohrid.

Consequently, the Охрид Assemblage is not only about reviving an old building, but also about creating a living and breathing space where history, culture, and nature converge. By blending the past with the future, the architecture fosters a deeper connection to the heritage, the lake and the landscape, offering a place of reflection and renewal for all who visit.

The Boundary
Irena Chichonovska, Viktor Cvetanovski [North Macedonia]

Innovation in architecture is undoubtedly very important, but the preservation and restoration of old buildings is also essential because these old monuments are a reflection of our history. They help us understand and respect people who lived in different periods with varying habits and traditions. Chipan’s love for his native Ohrid is evident, which is also represented through this monumental object inspired by his roots, elevated and exalted towards the lake width. Unfortunately, today this object has been left in the memories of a past time. But one thing is certain, it deserves its place in perpetuity with a view to the future, in memory of the man who spread all his love for the city in one architectural work of art.

In the approach of breathing new life, we were guided by the basic motive, Chipan’s love for Ohrid. We also used the force of nature represented as a large lake wave that is quite angry at the whole society that has left this place to decay, wants to wipe out everything that we humans destroy. But instead, whether by the power of God in the city of which they say there are as many churches as there are days in the year, or by Chipan himself, from some better place where he now is, the existing building remains undisturbed, and the wave behind it rises and transforms in a new architectural object in an irregular wave form that now stands as a protector over him or as if holding him in an embrace. The goal is to encourage us to love and care for the objects we have and how with a seemingly small intervention, the two objects will perfectly and compactly function together in synchronicity. Because without the past there is no present, and without the present there is no future.

An important parameter is the restoration of the existing object in full glory with the original purpose and idea of ​​the author with a special emphasis on its authenticity, and the new one to be adaptable, flexible, reversible and multifunctional. Respect for architectural heritage makes us responsible and thorough builders of our time.

Connections to Courtyard
Burak Mangut [Turkey]

Establishing the highest and the most effective level of interaction with the existing Youth Union Club building is the primary determinant factor in the site plan decisions. The layout principle which defines open and closed spaces reveals the basic structure of the project. In this direction, the mass and spatial organization of the project is based on the organization of the courtyard which is defined by the existing Youth Union Club and the newly added facilities. This arrangement offers new spatial and social connections.

The project is considered in a way that will establish an effective connection with the open spaces of existing settlement in line with the usage foreseen. The closed and semi-closed areas are articulated around an arcade. This arrangement generates a permeable sequence between all spaces. Moreover, the in-between spaces which are defined in the intersection of the arcade and “New Connections” enrich the spatial structure of the project.

In the rehabilitation of the existing Youth Union Club building, it is aimed to reconsider the structure in a way that would highligh the modernist character of the building. The ground floor of the building is opened by clearing away all additions which are made during different periods. This intervention perceptually strengthened the stone walls and upper mass of the building. The log bar placed in the middel of the venue with the analogy of a captain’s bridge and the use of white weathered wood on the facade of “New Connections” support the semantic background with the maritime metaphors it evokes.

Nautical Club Ohrid – Lakeside Deck
Barbora Gunišová, Dominik Haviar, Mário Melek [Slovakia]

Urban concept

Our urban concept features three different connections between the former Nautical Club area and the town of Ohrid. The first connection, located on the north side of the area, is primarily used by locals arriving by car. While this route is quick and convenient, it lacks appeal as it leads through the existing urban structures.

Our proposal creates a new connection: a long promenade along the lakeshore – a safe, pedestrian-friendly pathway that appeals to both tourists and locals. This promenade links various points of interest, enhancing the overall attractiveness of the lakeshore.

Third is through the lake. Our idea is to create a “water taxi/bus” that connects the town port to small piers along the lakeshore. This innovative transportation option offers a unique experience attracting visitors from neighboring towns.

 Public spaces

Our aim was to create diverse public space in the area of the former Nautical Club. We began with the demolition of small structures and additions to the main building.

The centerpiece of our proposal is a platform that diagonally links the north side of the area, crossing the building and extending to the lakeshore. The original paved surfaces are replaced with greenery.

The landscape concept features smaller areas with various purposes, interconnected by pathways made with natural surfaces. The dominant feature is the platform that crosses through the area, serving as a natural guide to the main building while highlighting its significance.

Proposal is eliminating any barriers and remaining accessible to the public. Public amenities such as a swimming pool, a children’s pool, a chill-out zone, a bar, and a new pavilion for cultural events are integrated into the platform. Active and noisier activities are situated closer to the lake, while calm and cultural events are located nearer to the urban structures.

Architectural concept

Our aim was to create a modern water sports club in the original building designed by Boris Chipan with minimal interventions to the original building. The design follows the fundamental principles of the modern architecture movement that inspired Boris Chipan. The proposal respectfully addresses current needs while preserving architectural values of the original building, that’s why we are not adding any additional volumes or buildings. The goal is to create an aesthetically pleasing, valuable and sustainable space for the water sports club that will serve not only for its members but also the wider public.

The ground floor is designed as a public passage featuring a reception desk, which also serves as a rental area for sports equipment. A significant part of this floor is dedicated to kayak storage, creating a dominant interior feature.

The first floor is dedicated to the sports club, including offices, a workout zone, a multipurpose room, and hygiene facilities.

Our proposal also provides access to the rooftop terrace, offering a unique space with stunning views. Terrace serves as a calm oasis for yoga, meditation, and relaxation, away from the hustle and bustle of the vibrant platform.

Nautical Club Ohrid: Reviving a Forgotten Modernist Gem
Artem Efanov, Ella Meliksetian [Russia]

Situated along the serene shores of Lake Ohrid, the Nautical Club symbolizes modernist architecture and cultural heritage. Designed by renowned Macedonian architect Boris Chipan, the building’s innovative architecture takes full advantage of its surroundings, offering a sweeping 90-degree panoramic view of the breathtaking landscape, where nature and modernism coexist seamlessly.

Once a vibrant space, the Nautical Club has fallen into disuse but is now poised for transformation. The restoration project aims to breathe new life into this forgotten icon, preserving its architectural integrity while introducing contemporary features to engage both locals and visitors. By carefully restoring its original elements, the project respects the structure’s history while adapting it to modern needs.

The design preserves the original structure, avoiding demolition or intense construction, allowing the club to become a center of functionality. It emphasizes the building’s initial architectural ideas, reusing color combinations and material selections from the past while translating them into the future.

A critical aspect of the design is adherence to strict architectural codes that dictate the height, style, and appearance of buildings in Ohrid. These regulations ensure a consistent visual identity, enhancing the city’s charm. Located in Daljan, a scenic area known for its natural beauty, the new design enhances the picturesque setting.

The restoration focuses on preserving the club’s modernist roots, emphasizing open spaces, clean lines, and functional simplicity. In addition to restoring the original architectural features, the project will introduce innovative recreational elements. The reimagined space will offer spectacular views of Lake Ohrid and the surrounding landscape, allowing guests to appreciate the area’s beauty from every floor.

New intimate areas, such as a Hot Tub Club, Hammock Forest, and a shaded Cinema Lawn, will provide unique experiences for guests, fostering relaxation and connection with nature.

Recognizing Ohrid as a seasonal destination, the design emphasizes year-round functionality. While summer brings an influx of tourists, the club will remain a vibrant hub throughout the year, accommodating various activities and events. Flexible interior and exterior spaces will be available for yoga classes, workshops, and community gatherings.

Outdoor amenities like tennis courts, kayaking facilities, and swimming pools cater to summer guests while promoting active lifestyles among residents in the off-peak months. Dining options will include high-quality restaurants with open terraces and inviting bar areas, allowing guests to enjoy exquisite cuisine alongside stunning lake views.

In conclusion, the restoration of the Nautical Club Ohrid revitalizes a significant architectural landmark and enhances community engagement. By blending modern functionality with respect for its heritage, the project aims to create a dynamic space that celebrates the beauty of Lake Ohrid and serves as a gathering place for locals and visitors alike. This transformation will ensure the Nautical Club remains a cherished part of Ohrid’s cultural and social fabric for generations to come.

Honorable mentions

(ordered by registration code)

FLUID NEXUS
Filip Spaseski, David Kostadinoski [North Macedonia]

The existing building by Boris Ripon is centrally positioned on the site. close to Ohrid Lake, and serves as a dominant structure, effectively dividing the space into two dist inct zones. Our design strategy draws two primary axes stemming from this modernist structure. ollowing us to define areas for intervention on both sides.

A key focus is placed on preserving the existing greenery and vegetation. All existing trees ore retained, and additional greenery is incorporated where appropriate. The spaces between the trees create natural voids. which provide ideal locations for the placement of four new structures.

These structures are connected by an elevated pathway that meanders through the site, weaving between the trees. This introduces a duality with the orthogonal geometry of the existing building, as our design transitions towards a future of fluidity. respecting the existing environment and seamlessly integrating with the surrounding toll trees.

Movement through the site is designed to offer captivating visual experiences, framed by a series of open, semi—open, and covered spaces. The central building serves as the primary transit zone for visitors, guiding them towards various exploration paths.

Water sports and the lake are pivotal elements of the project. We have designed a kayak storage facility thot is directly Connected to a small pier and the rowing centre. allowing for smooth access and movement between the water and land. The kayak storage also provides rental options for visitors, with dedicated spaces for easy use. The rooftop features a pork thot provides on alternative pathway, seamlessly linking the entrance pork to the lake.

Adjacent to this, we propose on rowing center for individuals who wish to learn or perfect kayokinq skills. The structure consists of three levels. with the second level offering a clear visual connect ion between pedestrian s on  the  walkway and  the  rowing activities.

On the opposite side of the site, near the beach, we envision an open bar directly linked to the main plaza in front o1 the  beach, creating on active social hub. This area contrasts with the more adventurous zones on the other side, providing a space for relaxation and socializing.

Additionally, we propose a structure housing an indoor swimming pool, dedicated to swimming, water polo. and other aquatic sports. This double—height building offers visual connectivity with the elevated walkway, although access is restricted to the lower level.

All pathways converge at the Ripon building. connecting on the second level. which serves as a cultural center for children’s activities—a symbolic nod to the future generations of this space. The fluid pathways extend from the site entrance down to the beach. ensuring thot as visitors move through the site, they experience diverse perspectives and a continuous sense o1 discovery, enhancing the exploration of this unique set tinq.

The structure of the new buildings is composed entirely of wooden elements, prioritizing sustainability and environmental responsibility. Photovoltaic panels ore integrated into two of the structures, ensuring sufficient energy production to power lighting and electrical needs throuqhou t the site.

To achieve a cohesive and unified aesthetic, a secondary facade is introduced. This facade features a semi—transparent, fluid design thot symbolically connects to the water and the energy of the location. II envelops all pathways and structures, with the exception of the central Boris Ripon building, creating a harmonious blend between the built environment and the natural landscape.

Reimagined Nautical Nest
Fjolla Saiti, Nusejba Hamiti, Arba Saiti [North Macedonia]

The “Reimagined Nautical Nest” honors the modern heritage designed by Boris Chipan by revitalizing the historic structure while embracing contemporary needs. This dynamic social space will serve both the local community and seasonal tourists, transforming the western lakefront into an engaging hub.

The design draws inspiration from the original program, focusing on creating a vibrant atmosphere that promotes interaction and connection among visitors. By integrating elements of nature and the lake, the club will foster a sense of belonging and community, inviting people to gather, relax, and engage in various activities.

The existing structure will be carefully restored, maintaining its architectural integrity while incorporating modern amenities. This approach preserves the building’s historical significance and minimizes environmental impact.

The layout includes multi-purpose areas that can accommodate a variety of functions—community events, social gatherings, and recreational activities. Open-plan designs, movable partitions, and outdoor spaces will allow for fluidity and adaptability.

To attract local citizens and tourists alike, the club will feature spaces for workshops, cultural events, a gym as well as a yoga space. A café and restaurant on the ground floor, opening to the view of the lake, showcasing local cuisine will provide a welcoming environment for socializing, alongside dedicated areas for kayak storage and activities.

By modifying the existing staircase and making it fully accessible to the public, the design integrates the rooftop as well, transforming it into an observatory and social space for everyone to enjoy. Although altered, it retains its original shape and position to preserve the collective memory of this distinctive and appealing element of the facade.

Incorporating sports areas as envisioned in the original project, along with a swimming pool and an open station for kayaks nestled among the trees, creates seamless transitions between the interior and exterior. This design invites the breathtaking views of the lake into the space, enhancing the overall experience.

The materials selected for the new interventions have been intentionally chosen to stand in stark contrast to the existing ones. This deliberate contrast emphasizes the distinction between the two layers, highlighting their individual characteristics while fostering a harmonious relationship, enabling them to coexist seamlessly as part of a unified architectural composition.

All the interventions are crafted from metal in various forms, including different shapes: metal sheets, perforated metal, and structural elements. To create a cohesive visual identity, all these components are unified by the same bold, striking color: magenta.

This design aims to breathe new life into a cherished landmark, ensuring it serves as a vibrant destination for both locals and tourists. By balancing the preservation of its historical essence with contemporary needs, the club will become a focal point for community engagement, recreation, and social interaction on the western shore of the lake.

OH(G)RID
George Genovezos [Greece]

The project is centered around the idea of revitalizing the western part of the city of Ohrid. This goal is pursued through the selection of programs such as rowing, a gym, a restaurant/bar and a study café, catering to both locals and tourists. The adaptation to the 1950’s modern building complex surrounded by green right next to the lake create a very interesting setting.

Surrounding Space Intervations

Important aspects of the site design include the minimal intervention to the natural elements, improved accessibility and new gathering spaces.

The organization is based on extending the building’s grid, designed by Boris Chipan, to the entire site. Essentially, the small rectangular squares between the orthonormal paths create a larger multiple of the initial grid. The use of pebbles on the paths and in some squares complements the lakeside environment.

The park is divided by the main pedestrian entrance walkway and by the perpendicular axis, which includes the parking area, the buildings, the water canal, and the piers.

The piers act as extensions of the building into the water. At their ends, there is a sloping section for easier access by rowers. The piers merge between the two buildings where the canoes are stored, spatially and materially indicating the nautical zone.

The existing lakeside pedestrian path is preserved and extended to accommodate bicycle traffic as well. Its connection to the eastern part of the city is also proposed.

The water canal, along with the piers, creates a landmark while enhancing the park’s relationship with the water.

Building Intervations

Later additions, such as pergolas, glazing, and enclosed spaces on the ground floor, should be removed as they alter the purity of the architect’s original design.

The new programs adapt to the existing structures ensuring accessibility and maintaining visual contact with the lake.

In the secondary building, the changing rooms and storage for rowers are placed in its western side, while the study café is placed in its eastern more social side. Openings are created to visually connect it with the lake.

The lightweight metal structure between the two buildings serves as a storage area for the canoes.

In the main building, circulation is centralized, creating a visual connection between the two floors through the main entrance/foyer and its spiral staircase in the double-height space. Conveniently, the reception for all activities is located here. The original staircase is removed.

The ground floor is enclosed with glass behind the columns, defining the spaces for the gym and the main entrance/foyer.

The gym changing rooms concentrated right next to the stone retaining wall divide the space into two sections for cardio and weightlifting.

Two important features of the restaurant/bar on the first floor are the uninterrupted views through the original openings and the use of the balconies as bar areas, offering a unique experience.

Overall, an honest architectural vocabulary is sought, allowing a clear visual distinction between what is original and what is new.

Harbor of Heritage
Hanqing Yao, Merrick Castillo [United States]

Located in the Daljan neighborhood, the original Youth Union Summer Retreat (YUSR) building, once home to the nautical club, has been a local charm for decades. With its rich history connecting Lake Ohrid and the community, the proposed new nautical club will bridge the past with the present, and the vernacular identity with cultural exchange.

The redesigned landscape will extend from the original YUSR, seamlessly linking the residential street grid to the waterfront. Northern entrance paths will reflect the 1940s urban grid, creating a welcoming arrival. South-facing walkways will guide visitors toward the promenade, integrating the new club with the surrounding park. This revitalized landscape transforms the flat waterfront into a lush garden, preserving existing trees and fostering spaces for social and environmental interaction.

The design strategy for the new nautical club can be described into three steps: 1. Duplicate, 2. Reorient, and 3. Support. In anticipation of increased visitor engagement, we replicated the original building’s form twice, preserving its architectural language while subtly extending its structure and circulation. The final extension is thoughtfully rotated to align with the existing urban grid, reaching out to meet the water’s edge.

Drawing inspiration from Boris Chipan’s innovative column grid, we introduce a reimagined system of spherical structures that serve as both vertical circulation nodes and meditative spaces. These spheres elevate the design, creating a floating effect that seamlessly integrates the building with the waterfront park. This approach transforms the new nautical club into a dynamic space, where the programmatic elements—including a new restaurant offering sweeping views of Lake Ohrid—are elevated, both literally and metaphorically. The overall design strikes a balance between honoring the original modernist architecture’s clean, linear forms and infusing it with a forward-looking vision that invites interaction and exploration.

Honoring the site’s heritage, we will preserve its aging artifacts that hold the community’s memories. Fluted glass will wrap around the building, blending old and new elements. The new extension will feature two semi-transparent volumes floating on the second floor, with an open ground floor to maintain the YUSR’s original connection to the beach. The blue column and stone wall will be preserved and extended into the new structure, while the balcony will serve as wellness areas and outdoor cafes.

Our design extends into the lake with an elevated walkway that spirals out from the building, inspired by the shoreline’s edge.This structure elegantly defines the waterfront into three distinct zones: a slide and pool area, a floating pool with integrated nautical storage, and a deck designated for boat parking.These features encourage visitors to engage progressively with the water and the surrounding nature.

With a network of walkways connecting the local and the visitor, a building that respects its history while looking forward, and a landscape that encourages a dialogue between humanity and nature, the new nautical club will become a space where social connections grow, heritage endures, and the old and new merge seamlessly.

YOUTHICAL
Shehab Elkaranshawy, Salma Hossam, Lina Yasser, Rodaina Elmahdawi [Egypt]

YOUTHICAL is our vision to breathe new life into the Nautical Club Ohrid, originally designed by renowned Macedonian architect Boris Chipan. This modernist masterpiece, which once symbolized a harmonious relationship between architecture and nature, now stands ready to be revived in a way that honors its past while adapting to contemporary needs.

Our project began with a commitment to maintaining the original structure, respecting its architectural integrity and Chipan’s modernist legacy. Additionally, we embraced the community’s long-standing vision for camping on the site, which we have revitalized as part of our master plan. The existing trees played a crucial role in shaping our landscape and zoning decisions, becoming a defining element of the design that supports biodiversity while enhancing the overall atmosphere.

The evolved landscape centers around the main building, creating a year-round activity hub for people of all ages, both locals and tourists. We introduced a sports area, surrounded by a running track, and a workout space with nautical storage that allows direct access to the lake. The design also features a double-deck structure, with one level sloped for easy water access and to facilitate various water sports.

A key feature of YOUTHICAL is the floating pier extension, which emerges from the main building’s platform. This dynamic and vibrant space creates a new focal point for social interaction, featuring a floating enclosed lake pool for swimming and recreation. The pier is sustainably designed with floating barrels to avoid structural interventions in the historically significant Lake Ohrid, ensuring that this UNESCO World Heritage site remains intact.

YOUTHICAL is not just a revival; it is a celebration of Chipan’s timeless design, evolving to meet the needs of today’s users. Our project brings together nature, heritage, and modern-day functionality, creating an inclusive, sustainable retreat that serves the community and visitors alike, all while respecting the rich history of the site.

NAUTICAL LOOP
Gullu Bozdogan, Aylin Besiroglu, Elif Koc [Turkey]

The urban design proposal addresses the issue of underutilized spaces in the city, which have been primarily relegated to storage or parking. By prioritizing pedestrian and bicycle accessibility, it reorganizes these areas into functional spaces like parks and plazas, fostering diverse public interactions. The design focuses on the main urban spine, integrating new functions and creating secondary hubs for public engagement. Vertical green corridors enhance ecological connections between the mountains and the sea. The plan emphasizes waterfront activities and a water sports center, promoting year-round interaction and sustainable mobility while revitalizing neglected urban areas and improving overall connectivity.

The main building is regarded as the ultimate destination for all designed routes. To enhance the appeal of the main entrance, the existing narrow access was expanded, creating a plaza that extends from the street to the building. Within this area, spaces for parks, seating, and marketplaces were established.

The approach to the building involved restoring and preserving its original form while reimagining the interiors as more flexible spaces that can accommodate a variety of users and adapt to functional changes associated with seasonal variations. It has been decided to demolish the ancillary structures surrounding the main building. The sole structure designated for preservation within this area is the main building itself. In terms of material choices specific to this structure, it is proposed that the existing texture be preserved through damage repairs. As part of the restoration strategy, any new additions are differentiated from the existing fabric by employing distinct materials.

The existing fixtures within the building have been modified to allow for a movable system, thereby maintaining their original appearance while altering their operational functionality. This sliding fixture system enhances the interaction between the interior space and its users. This decision aligns with the goal of preserving the form while adapting its function.

To emphasize the building’s axis towards the sea and strengthen its visual and physical connection to the waterfront, a deck area was created that extends from the front of the building and gradually transitions to the water. In addition to the main plaza entrance, a secondary route was established to provide more direct access from the street to the sea. Maritime activities are concentrated within a loop area that connects this route to the building’s access points leading to the water.

In the terrestrial section of the created loop, spaces were designated for sports equipment storage, showers for individuals enjoying time by the water, and a bar area. The loop continues over the lake, forming a pier and a designated area in the water. Water sports and swimming areas have been safely separated. Additionally, a modular system has been employed to create a multifunctional sunbathing area within this space.

The modules used as sunbathing areas can be reconfigured during events to serve as either a stage or seating area, offering a structure that can expand, contract, and change shape according to needs.

Ephemeral Horizons
Jing Chen, Yanci Chen, Qizhen Tang, Yinzhu Yao [United States]

In the serene landscapes of North Macedonia, overlooking the historic city of Ohrid and its ancient lake, a new vision takes shape—one that bridges time and form. Our project aims to breathe new life into a modernist structure reminiscent of Boris Chipan. The original building, with its clean lines and cubic form, serves as a tribute to the region’s mid-century architecture, yet stands ready to be transformed into a vibrant Nautical Club.

The design concept centers on harmonizing the old and new through thoughtful interventions that emphasize continuity while celebrating change. As a first step, we remove structures that do not belong to the original design era, allowing the spirit of restoration to flourish and refocus attention on the heritage architecture. Additionally, the existing brick walls are replaced with glass blocks, preserving the rhythm of the original façade while introducing a modern, translucent aesthetic that softens the building’s appearance and invites natural light into the interior.

An homage to the site’s history, the footprint of a former single-story bar is preserved and highlighted through a distinct paving pattern, subtly marking its past presence and allowing visitors to sense the layers of time embedded in the ground. This gesture acknowledges the site’s evolution while creating a dialogue between memory and modernity.

The design also introduces two new cubic volumes adjacent to the original building, forming a triptych of forms that are gently united under a horizontal mesh-like canopy. This canopy aligns with the orientation of the surrounding neighborhood’s grid system, symbolically extending the urban pattern to the waterfront. It drapes lightly over the three volumes, creating intimate spaces between the structures while casting a delicate interplay of light and shadow. The subtle illumination beneath this canopy emphasizes the distinction between the old and new, enhancing the visitor’s experience by revealing the contrasts and connections between them.

The roof’s gradient, transitioning from opaque to transparent, mirrors the nature of sea fog, as it veils and reveals the architecture beneath. This design element creates a dynamic interaction between the original modernist form and the new interventions, allowing the building’s history to unfold gently before the eyes of those who visit.

By transforming the site into a Nautical Club, we aim to create a space that invites both locals and tourists to connect with Ohrid’s history while enjoying contemporary amenities. This project respects the architectural heritage while adding a layer of lightness and fluidity that echoes the ever-changing waters of Lake Ohrid, offering a serene and reflective space on the western shores.

ONC
Orjad Verjoni, Davide Pesavento, Edoardo Gamba, Eleni Sara, Kevin Hasani [Albania, Italy]

This project aims to bring back to life an iconic building of early modernism in North Macedonia, designed by architect Boris Čipan in 1954. With a rich history as a youth union summer retreat, the building has been transformed into a Nautical & Social Club serving club members, seasonal tourists and the local Ohrid community.

Respect for the architectural heritage has been placed at the heart of the project, preserving the original building. The proposed design has been minimal and meticulous, to dialog with the existing building and its original use, including the demolition of later additions and the opening of the ground floor to create a stronger visual connection with the natural environment.

Čipan’s building is the project axes generator, which create functional connections between the entrances of the site and the new two pavilions. These axes ensure a natural flow and integrate the project with the surrounding rural landscape. A pool has been added to the outdoor area with an innovative natural filtration system, divided into two parts: one for swimming and the other for greenery, using water filtering plants and little animals to keep the water clean. This element is a natural extension of the original building, the heart of the project that integrates with the natural landscape of Lake Ohrid. The ground floor serves as a bar-restaurant, which is open to the public and visitors, while the second floor has been transformed into a gym for all users. To guarantee accessibility for everyone, an elevator has been added that connects these spaces.

The structure of the pavilions is light and elegant, with steel frames and wooden coverings, providing a design that blends in with the natural surroundings and constantly communicates with the modernist building. Existing materials, including the stone walls, have been preserved and restored.

At the rear of the site, the existing stone pavilion has been partially preserved and restored to provide service facilities for club members and visitors to the nearby campsite, including toilets, showers, changing rooms, laundry room and a kitchen. An outside structure and wooden skin has been added to the building for a better landscape integration.

Two additional pavilions have been added to support the club’s program. One pavilion is designed for storing nautical equipment such as kayaks and paddle boats, while the other offers flexible spaces for events and gatherings. These pavilions can be used by club members but are also open to the wider community, providing a social and multi-functional space.

The natural landscape has been respected, with the preservation of existing trees and the inclusion of green areas, spaces for children, and community gardens. This project represents a balance between the rehabilitation of Boris Chipan’s modernist heritage, the lake landscape and the contemporary needs of the community and tourists, creating an open, sustainable and dynamic space for all.

The Beachfront Club
Sara Nichota, Zorica Stavrova [North Macedonia]

The design concept is based on the relationship between the built structure and the existing landscape, notably filled with greenery.

It aims to create a space for everyone, as architecture is for everyone, to create a new checkpoint in the city, located on the other side of the old tissue.

The project strives to accommodate various uses, positioning different indoor and outdoor activities, creating multiple focal points in the park, to ensure daily activities on-site for both locals and tourists.

Embracing its original architectural identity, as a symbol of the distinctive modernist architectural style, the building keeps its structure, floating subtly above the ground, monumentally. The approach involves minimal intervention on the volume and the interiors of the building.

The ground floor retains its original function as a bar, offering people to enjoy the views, from inside, under the porch, or outside on the Plaza. The first floor has been repurposed as a gym, which can be used both for the nautical club and regular members. All in all, this dominant volume can function throughout the whole year.

The back volume is retained, repurposed, and extended with new programs such as ambulance, toilets, wardrobes, administration, and a conference room. The space between the volumes is now a passage that connects all sides of the location, enabling free movement and transparent workflow.

The third and new volume is a transparent and lightweight Boat House that makes perfect sense with its position next to the pier, highlighting the program.

The heart of this project is “The Stage” located between the Boat House and the main building. Its strong relation with both of them, creates a balance between nautical and social club, now making it a community club available to people of many interests.

Two floating piers are proposed, one that takes the position of the hardly existing one, and another that is in addition to the newly expanded square, opening views towards Galicica Mountain. The first one is connected with the Boat House and functions as a dropping spot for the club members, but also as a port for the small boats approaching from the city, emphasizing it as a form of transport. Its form comes from the idea of creating an outdoor pool in the lake that includes leisure and professional swimming. The second pier serves as an extended beach and a scenic viewpoint, as well as a launching point for paddling and scuba diving, popular activities in Ohrid.

The roof terrace functions as a viewpoint, replicating the one in front of the building, enhances the theme of flat roof terraces as one of the points of modern architecture. Keeping the most of the existing landscape while incorporating new rooftop greenery improves the building’s performance, lowers energy consumption, and fosters biodiversity.

The aim of the concept is to bridge past and future experiences, incorporating new programs that will embody the feelings and the memories of this place, but also to serve as an initiative for future urban development of the city.

PALIMPSEST
Sara Gjorgjioska, Angela Petrovska, Tamara Ivanova [North Macedonia]

The proposal aims to unite two conditions and time periods in a coexisting synergy: the timelessness of the existing building by Boris Chipan and the new activity islands, making it seem like a harmonic mosaic that has been altered by different artist in various times, also known as a ‘palimpsest.’  

The building is the creator of the grid in which all other volumes are placed. Life is brought back into it by implementing a nautical club on the upper floor and a lounge bar on the ground floor, by revitalizing its original state and cleansing it from later additions that do not serve the original concept. In order to continue the motive of the first floor floating above and nature flowing through the ground floor, a glass facade of foldable windows is added between the columns on the ground floor, which also enables its usage on colder days. To meet accessibility standards a few changes are planned: an elevator, and reorganization of the staircase and sanitary blocks, with dimensions up to current standards and suitable equipment.  

Public space is reactivated as a dynamic, ever-changing landscape, made up of various spatial experiences like ‘islands’ within the ‘lake’ of open areas. They appear smaller than the existing structure, allowing it to retain its dominant role. The islands generate a broad range of activities for both active and passive users: from intimate resting corners to spaces that host important moments of collective life on the west coast of Ohrid. The zone boasts a lake pier, open air swimming pool during the summer days (which turns into an ice-skating rink in the winter), open-air classroom for the nautical club, rental unit for watersport equipment, public changing rooms and showers, a beach volleyball court and urban equipment. The focus is to have variety within the program so as to draw in users of all walks of life, as well as for the area to be utilized throughout all seasons. 

The new structures’ character is defined by their transformative nature and flexibility due to the usage of materials such as wood and steel, in contrast to the permanence of the stone-concrete building. Their inviting aspect is materialized through porches which serve as spaces of unexpected encounters, opening towards the active zones in their vicinity.  

The new parts of the ‘palimpsest’ subtly embody motives from Ohrid’s rich history, versatile arts, and picturesque nature into a mosaic. They depict the beauty and complexity of its churches, the distinctive street skyline framed by the cascading geometry of the vernacular houses, the local small boats which are significant to the contemplative lake scenery, the art of making pearl jewelry, resting spots under the vines, and the ancient theater. 

The proposal seamlessly blends the enduring essence of the existing structure with new, adaptable additions drawn from the local context, shaping a dynamic, constantly evolving public space that encourages diverse activities and year-round engagement. 

Finalists

(ordered by registration code)

Look Up
Lisa Nord [Sweden]

Nautical Roots: Reestablishing Traditional Craftsmanship
Eleonora Bozhinoska, Eleonora Mihailovska [North Macedonia]

O-Tesseract
Hamdy Hefnawy, Mennatullah Ezzat [Egyipt]

The Azure Cove
Babak Abdolghafari, Natalie Eshoonejadian, Forough Seyedi, Shaghayegh Bagherzadeh Khodashahri, Sadaf Aghamohammadi, Mona Afrazi [Iran]

Contemporary Citadel
Leon Paloski, Jordan Lazoroski [North Macedonia]

Nautical Center Ohrid
Emrah Demir, İrem Katana, Süleyman Salih Başbay, Asya Beril Seven, İpek Süer, Yeşim Demir [Turkey]

Club Lacus-Trine
Hatice Berra Yalçın [Turkey]

Row Relax Recharge
Nina Dereban [Sweden]

From ruin to revival: A monument’s rebirth
Sara Ristova, Dimitar Angjelkov [North Macedonia]

Savoye Interrupted: Elements/Montage/Adaptive Reuse
Patrizio M. Martinelli [Italy – United Kingdom]

Nautical Club: The Living Triptych
Helen Cheng [Hong Kong]

THE WHITE SKIN of the NAUTICAL CLUB OHRID
Arià Pla Coll, Joan Salavedra Rovira, Eudald Bosch Carreiras [Spain]

Nauticaland
Di Wu, Zhewen Wu, Jianpeng Bai [China]

A New Harmonija For The Lake of Ohrid
Jusra Durmishi [North Macedonia]

Cobalt Stripes of Ohrid
Ezgi Karadağ, Antonio Morilla Callejón, Eda Keyif, Girayhan Kaya [Turkey – Spain]

Green Haven
Hortense Dion [France]

Shifting Spaces
Mattia Santi, Francesca Silvi, Omar Salama, Krishan Sharma, Duanduan Ding, Arushi Agarwal, Eda Kuzu [United Kingdom – Egypt – India – China – Turkey]

Nautical Gateway
Kotaro Shiraishi [Japan]

Lake Ohrid Retreat
Tord-Rikard Söderström, Åsa Rhodin Söderlund, Xerxes Grönlund [Sweden]

Ohrid Nautical Revival Hub
Gencer İşlekter, Fatih Gündüz [Turkey]

Uncorking Ohrid – A Wine-Themed Nautical and Social Club
Manrong Liang, Qian Zhang, Taide Chen, Junhua Sun, Yan Wang, Rui Xiong [China]

Architecture tells the story of time
Manrong Liang, Jinjin Liu, Wenjie Chen, Shuolong Geng, Kaiyin He, Rui Xiong [China]

Reborn ‘Mladost’
Valentina Miladinova [North Macedonia]

Learn from the Past
Jiale Chen, Yixuan Yiang [China]

Melody Haven
Manrong Liang, Xiran Chen, Ningxin Zhong, Yahui Xu, Ru Xiong [China]

Blue Horizon Sports Village
Yeonsoo Choi, Soomin Lee [Republic of Korea]

Waves of Transformation: An Ohrid Narrative
Michele De Nicola, Gianluca Chiappini, Francesco Fellini [Italy]

Flowing Lines
Avik Schoenmakers [Netherland]

SYNTHESIS
Ceren Abaci Ulcan, Buket Adiguzel, Melike Guler [Turkey]

SOCIALAKEING
Ennio Giovanni Russo, Giovanni Cassandra, Lorenzo Russo [Italy]

NCO Nautical Club Ohrid Results